OVERTAKE！

TROYCA官宣十周年纪念作始动决定！

机甲英雄 机斗勇者 第二季

在進行機甲武鬥大會的冠軍戰時，布萊札德突然來襲，十年前他們也曾侵襲而來，但不知為何他們這次就很乾脆地撤退了。然後這樣過了好幾個月的某日，在創世紀特區的里昂一行人正要接受訓練時，天空突然出現異常現象，竟然出現了鏡像世界的里昂他們，這到底是怎麼一回事呢？

鲤鱼小姐

女主自幼喜欢看各种童话书籍，她曾幻想自己拥有一份童话般的爱情，长大后从事VR智能工作，身为菜鸟新手，她什么都做不好，经常被老板批评。她心中暗恋着部门新来的总裁，却没有勇气表白。某天，她进入了VR虚拟世界，与幻想的男主来了一场浪漫邂逅，两人坠入爱河。从相遇相识到相知相爱，在爱恋中还发生了一系列奇幻又有趣的爱情故事。

绝对零度第三季

个性想法独特，令人摸不著头绪，嘻皮笑脸又黑暗疯狂，有着庞大知识量、敏锐洞察力和强大格斗术的男人井泽范人（泽村一树饰），看起来像个迷，其实是前公安菁英警官，尤其擅长潜入搜查。由于某起案件而被左迁至总务部‧资料课担任室长。而资料课表面上看似问题人物的集合地，但暗地裡进行著某项秘密计划。这计划是把全日本国民的个人情报、全国的监控镜头、电邮及电话的通讯资料等收集成为大数据，再配合过去15年的犯罪资料，以人工智能及统计学进行分析，找出很有可能将会犯上杀人罪的高度危险人物。为了把“未犯系统”实用化，资料课就要利用这些危险人物的资料，出动进行潜入搜查，了解目标何时何地为何会杀谁，从而阻止案件发生。所以表面上的资料课，实际是叫做“未犯”的全新刑侦系统。井泽范人同时也负责管理一众极具个性的部下。包括一直在寻找失踪前搭档樱木泉（上户彩）并与井泽作对的山内彻（横山裕），抖S格斗女警小田切唯（本田翼），怨气连天的骇客高手南彦太郎（柄本时生），无所不能却不起眼的田村薫（平田满）。而他们的直接负责人东堂定春（伊藤淳史），则是想把犯罪预测系统引入日本的警视厅的精英，一手打造了“未犯”。至于系列本来的主角樱木泉，在上两辑是新人女警，经过7年后已成为在第一线活跃的搜查官，然而某次她在进行特殊任务时消失，警视厅为了避免公众恐慌，把和她失踪相关的“不适当真相”隐藏。然而“未犯”系统的出现，很可能和她的失踪有关，到底当中有什麽不可告人的真相？新主角井泽范人和樱木泉之间又有什么关系？

千错万错还不错

1955年英国出品的一部半喜剧、半音乐剧，全英式英语对白。故事的冲突完全因为一只不同寻常的宠物--短吻鳄而起，英国人的幽默和夸张自此得以显露。而边唱边跳的音乐片形式似乎式借用了当时流行的美国歌舞片。当然，一个皆大欢喜的结局是必不可少的。

重启乐队的女孩

凯特和斯蒂薇不仅是好闺蜜，还一起组建乐队，平时会在凯特家的地下室练习。当凯特喜欢上酷女孩艾登，她决定帮助艾登策划出一档最好的校园春季晚会，而艾登的心愿就是让PolyamorousDiatribe乐队登台演出。实际上，凯特就是乐队主唱丹妮的女儿，在斯蒂薇的帮助下，凯特不仅要努力让因为当年一系列鸡飞狗跳的事件而解散的乐队重聚，还要追到心爱的女孩——她能成功吗？

pop子和pipi美的日常第二季

内详

拳皇命运 日语版

1800年前，人类恶念凝聚而成的怪物—八歧大蛇肆虐人间，被以草薙家族为首的武术家们用三件神器封印。 现代，世界综合格斗大赛 - THE KING OF FIGHTERS（简称KOF）召开，全世界的格斗高手集聚南镇。草薙家族的传人-草薙京来到南镇之后，他敏锐地感觉到了大蛇之力的复苏，一切迹象表明KOF大赛背后隐藏着一个巨大的阴谋。 随着KOF大赛的召开，所有的队伍，抱着各自的目的，渐渐被命运之手拉到了一起。而幕后的邪恶势力已然布下了天罗地网，准备将所有的格斗家一网打尽。正义与邪恶的对决一触即发！

爱在黄昏日落前

盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

11月2日 23-24赛季NBA常规赛 公牛VS独行侠

执迷

Directed by Tony Kaye. With Leon Corbin. A married mother's fling with a younger man results in a scary stalker situation.