六十年代，香港警察受贿成风，赌档粉档与中间人、警方组成的利益链大肆吸金，十年内警方受贿数额达当时的百亿港币之巨。九龙城区便衣火麒麟（黄秋生饰）为破案不择手段，上峰施压，火麒麟如常去街上拉人顶罪，大学生韩志邦（方力申饰）遭其陷害毒打，韩母托老警员找到警方与帮会的中间人猪油仔（王晶饰）出面搭救得脱。人称乐哥的徐乐功（梁家辉饰）时任华人总探，为人狂妄，出手大方。陈细九（陈奕迅饰）心地善良尤擅察言观色，深得乐哥赏识，短短五年之内由普通便衣晋升至筲箕湾区探长，但代价之一是家中为掩人耳目收留了各位大哥的九名情妇……1974年，香港的贪污恶风震动国际，廉政公署成立，长官严国梁（林保怡饰）聘用大学生韩志邦、失意警员火麒麟等组成第一批廉政专员队伍，严厉打击香港的地下规则。陈细九因贪污案发人财两空之际，却意外的发现了此生真爱……
内详
从小到大，董晓瑞（张蓝心 饰）都是个不折不扣的“假小子”，谁说假小子不能有春天？在董晓瑞的心里，青梅竹马的好友王峥（贺彬 饰）正是她深深爱慕的对象。然而，当董晓瑞鼓起勇气向王峥表白之时，换来的却是委婉的拒绝，深感受到伤害的董晓瑞决定远走他乡，前往大都市打拼，以证明自己的价值和能力。 一次偶然中，董晓瑞被知名设计师斯蒂文（胡兵 饰）相中成为了首席模特，但之后斯蒂文的离开让董晓瑞重新坠入了水深火热之中，不仅事业受到重创，还处处遭到同事的排挤。之后，董晓瑞成为了腹黑设计师陈默（立威廉 饰）的助理，她的命运会因此而发生改变吗？
布斯（麦察蓉普拉 Mai Charoenpura 饰）经营着一家米粉摊，丈夫和年轻漂亮的打工女私奔了，留给布斯的除了年幼病重的女儿布尔外还有一大笔债务。布斯没有钱带女儿去看病，只能够买一些最基本的药物来维持女儿的生命，可即便如此，也花光了她几乎全部的积蓄。糟糕的财政状况之下布斯再也无法购买肉类来维系米粉摊的经营了。 这一天，布斯推着摊子回家，路上偶遇政府武力镇压示威游行活动的场面，一位受了伤的学生偷偷躲进了布斯的摊子里，当布斯发现他的时候，他已经死去多时了。布斯灵机一动，决定拿学生的肉来充当米粉里的食材肉末，哪知道却因为口味奇佳而造成了食客的哄抢，布斯就此发现了商机。
一个青年牧师在日记中向上帝袒露心声。年轻的牧师（Claude Laydu 饰）初到村庄，感受到这里的寒冷和孤苦，他怀着一腔热忱，希望用自己的力量教化众生，令人们更加虔诚，但和村人接触之下他才发现，他们浅薄、功利，有的村民连妻子葬礼都不肯花钱，大多数人根本不关心自己的灵魂是否被拯救，反倒质疑他的献身精神。唯有一位伯爵夫人，因为难以纾解丧子之痛，找来牧师长谈，从而得到开解。但在村子的大环境下，他仍时时感到徒劳无功，他自己的迷茫和痛苦连上帝都解救不了。长期抑郁之下，牧师渐渐吃不下东西，最后发现自己得了胃癌，终于孤独地死去。
2014年5月5日，不死小强又要回来了！福克斯酝酿数年的《24小时》电影版最终变成这样一部迷你剧，作为剧迷来说未尝不是件好事，因为12个小时迷你剧远比两个小时的电影过瘾多了；而且，如果迷你剧获得成功，还有可能使得系列重启，将来会有第十季。继包小强逃离纽约之后，飘扬过海来到了英国，迷你剧将在伦敦展开。昔日的国防部长James Heller已经登上美总统宝座，此次出访英国，受到恐怖分子威胁，而销声匿迹多时的Jack Bauer感受到使命召唤，也将再度出马。不过CTU的分店还没有开到英国，就目前消息来看，此
该纪录剧集由《一级方程式：疾速争胜》幕后团队精心打造，追踪多名独当一面的网球员在球场内外的生活，看他们如何竭力在竞争激烈的大满贯决赛中称霸，更希望一天能达成成为世界第一的宏愿。制作团队投入整整一年时间，贴身追踪多位顶尖球员到世界各地争夺四项大满贯，以及在ATP男子巡回赛及WTA女子巡回赛争胜。
本剧由《莫斯探长前传 Endeavour》主创Russell Lewis负责，改编自Peter James的「Roy Grace」小说系列。首季由2个120分钟的故事组成，分别改编自小说《Dead Simple》及《Looking Good Dead》。 剧集讲述警司主角Roy Grace（John Simm饰）的事业因其非传统手法而处于低迷，而且妻子Sandy的失踪也一直困扰着他。此时警探Glenn Branson向他寻求协助，他手中有案件是准新郎因告别单身派对后的恶作剧而失踪；接手了案件的Roy凭着直觉﹑猜疑﹑执着而不停追查新郎的下落，并因此接触了准新娘。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.
解放前的上海，很多底层人寄居在闻家店，正可谓三教九流，鱼龙混杂。落魄少爷金不换靠妻子卖淫为生；赖皮匠为妻子治病债台高筑；走方卖药的金老头讲义气；巡捕石敢当呆头呆脑；报贩牛三乐天知命。而开店的老板闻太师（石挥 饰）则是八面玲珑、阴险狡诈。老板娘赛观音水性杨花，放浪不羁。她先是与小偷杨七郎（张伐 饰）私通，不想后者竟然爱上了她那善良敦厚的石小妹（周璇 饰）。妒火中烧的赛观音，从此对妹妹百般欺负，并与姘头小方密谋毒死闻太师，卖掉石小妹。而此时，决定重新做人的杨七郎，正准备和石小妹私奔，正撞见告发他与妻子私通的闻太师。两人扭打在一起，闻太师毒发身亡。杨七郎成为嫌疑犯锒铛入狱……
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