ThisanimatedanthologybringstogetheranewwaveofanimationstarstotakeyouonawildlyentertainingrideintoAfrica’sfuture.Inspiredbythecontinent’sdiversehistoriesandcultures,theseaction-packedsci-fiandfantasystoriespresentboldvisionsofadvancedtechnology,aliens,spiritsandmonstersimaginedfromuniquelyAfricanperspectives.
抗日战争时期，刚刚打完胜仗的游击队在返回途中，发现一个腿部受伤的孩子小松（王京春 饰）。小松的父母都被日寇杀害，由于游击队都穿着鬼子的衣服，小松非常敌视。指导员（邱英三 饰）把他带到根据地，安排在郑奶奶(陈立中 饰)家养伤，当他知道指导员是八路军游击队后，坚决要求参军报仇。刚参军时，由于他对部队纪律的严肃性认识不足，在一次战斗中随便开枪打野羊，影响了战斗布署，受到指导员的批评。在党的教育关怀下，小松逐渐成长起来。既使在战斗中发现了杀害自己亲人的日寇黑田，他也顾全大局，强压怒火，不暴露目标。黑田受挫后，血洗根据地，残忍地杀死了郑奶奶，更激起了小松的民族仇恨。在解放岭西镇的战斗中，他机智灵活地完成了引敌入瓮的一系列任务......
奇克是天生半鸡半兔的年轻英雄，被知名的冒险家彼得国王收养。虽然天生是个异类，他仍渴望融入以及被爱，奇克对冒险非常着迷…不管自己有多么笨拙。当他的伯父，王国最强大的邪恶坏人逃出监狱并威胁推翻他的父亲，鸡兔奇克便展开了与时间赛跑的史诗冒险，偕同爱讽刺的乌龟艾伯、鲁莽的女功夫高手梅格一起阻止他的伯父。
怀孕的女主角与丈夫搬来一间闹鬼的房子，但这种灵异现象似乎只有女主角才发现。导演Keeling两兄弟对于人物情绪、镜头感与整体氛围都拿捏得相当不错
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
倒卖人体器官集团的主脑洪文刚（古天乐 饰）罹患严重心脏病，为了活命他甚至计划摘取亲弟弟洪文标（恭硕良 饰）的心。为了完成卧底工作不惜身染毒瘾的志杰（吴京 饰）随老大去码头劫持试图逃跑的洪文标，他的上司见叔叔陈国华（任达华 饰）接到线报后也率队赶往现场，三方随即展开了激烈 的交火。侥幸逃生的志杰被送到泰国一所监狱，而掌控这里的狱头（张晋 饰）则与洪文刚有着千丝万缕的联系。女儿罹患血癌的狱警阿猜（托尼•贾 饰）对志杰的真实身份生出许多疑惑，而之后他无意中发现了监狱里的可怕秘密。 为了营救侄子，陈国华不远万里追到泰国。而洪文刚仍在做着垂死挣扎，他最终陷入癫狂……
大胸姐成事不足败事有余快被她气死什么的,我看完觉得也没那么气人啊,后来我知道了
12月14日 2022世界杯半决赛 阿根廷VS克罗地亚
菲律宾黑帮分子董岳于香港犯案，被警员细鬼,阿龙及其上司梁森缉捕，并由阿龙及政治部的大岛押回菲受审。不料途中让其手下救回，阿龙和大岛在当地警员范曾的协助下决定留下追捕董。在追捕逃犯的过程中，大岛和范的旧拍档均遭董偷袭，不幸身亡，范和阿龙同失好友，决意与歹徒决一死战……
故事发生在阳光旅馆的10号房，这是一个神奇的房间，其中发生的事情早已经脱离了能够用科学解释的范畴。这个房间里，每一样物品都被赋予了一种特殊的能力，拥有了一件物品，就能够随心所欲的使用它的能力。当这个消息不胫而走的时候，各路人士怀揣着各种各样的目的从世界各地聚集到了10号房间，然而他们并不知道的事，得到就要付出，这付出可能是身体上的、感情上的，也有可能是生命。 一次偶然中， 警察米勒（彼得·克劳斯 Peter Krause 饰）得到了一把神秘的钥匙，而这把钥匙正归属于10号房间，与此同时，米勒的女儿亦在房间里无故失踪，为了找到心爱的女儿，米勒踏上了充满危险和劫难的旅程。