编号为223的警察（金城武）失恋后患上失恋综合症，在与金发女杀手（林青霞）擦肩而过又离奇相遇并有了一晚温情后，原本以为包括“爱情”在内的所有东西都有保质期的他意外地迎来心灵的短暂温暖。可是，他们的爱情还是结束了。快餐店新来的女招待阿菲（王菲）爱上了时常光顾快餐店的编号为663的警察（梁朝伟），因拆了他的女友（周嘉玲）留在快餐店给他的“分手”信，阿菲知晓了他的心情，偷拿到他的钥匙趁他不在时常潜入他家，一边梦游一边悄悄地改变他的生活，终在被他撞见时令其感受到情感的回归。然而，这才是他们爱情的开始。
从未有过的全新风格的极写实主义旅行综艺节目
内详
梁丹妮（热依扎 饰）是演艺圈里冉冉升起的一颗新星，有着持续升温的人气和无量的前途。然而，一场意外的发生让狗仔记者们拍到了她和一个名为李非凡（郑恺 饰）的男子在旅店的亲密照，虽然这一切只是一场误会，但一切澄清和洗白都为时已晚。 实际上，梁丹妮已经有了一位交往已久的男友—— 地产富商石非凡（郭晓冬 饰），为了挽回女友的声誉，石非凡扎到了李非凡，给了后者巨额报酬，要求他成为梁丹妮的“临时男友”，经受不住巨大利益的诱惑，李非凡沦陷了。一边是养尊处优的女明星，一边是低眉顺眼的代驾小哥，这一对性格和身份迥异的男女凑到一起，闹出了无数的矛盾和笑料。
这部纪录片揭示了调查人员如何证实重症监护护士查尔斯·库伦是杀害病患的凶手，以及他如何逃避追踪并险些逍遥法外
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一萌娃拿着本子认真地翻“妈咪，接下来要见的这个男人，你一定要把握住！”某女一脸迷...
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
光绪年间，香河县知县马东阳被暗杀。西太后欲派身边御厨牛不耕接任知县，光绪反对。于是二人各派一厨子走马上任，分单双日坐堂审案。李保田扮演的神厨与御厨因为权势和厨艺展开了明争暗斗，全剧由两人争乌纱，比拼断案引出一连串啼笑皆非的故事。
祝顾生因为小时候被恶搞，在青梅竹马的女孩子苏雨露面前颜面尽失，这个童年阴影，导致他此后无法正常交到女朋友。不用陪她们逛街看电影买衣服，所以他就有了大把的空闲时间，那些谈恋爱的朋友和同事们都把脏活、累活丢给他，而他的恶老板申晶经常让他去遛狗，在少有的闲暇时间他就专心于研究人工智能9号，后取名为“夏秋”，在他准备鼓起勇气像自己的女神（苏雨露）告白时，却被亲口告知她要结婚了，结婚的对象是集团的新CEO伊森，典型的高富帅，悲痛之余跟着自称大侠的“一袋大虾”学习武功、行侠仗义，与此同时，公司的员工、他的亲人接连失踪，情侣分手事件屡屡发生，想起之前的种种，恶老板申晶的突然失踪，伊森在凑巧的时间空降公司，究竟这些分手后又失踪的人去了哪里？而祝顾生又能否打败这个威胁世界恋人们的大魔王呢？